A Warlock in Whitby | Prologue & Chapter 1


Warning: Contains Spoilers!

The years peeled away and before its luminous eyes the fish demon – last of the savage Mallykin race – remembered it all.

Aufwader’s Thoughts: I think this is one of the most iconic openings to any Robin Jarvis novel. It takes what we saw in The Whitby Witches and, in a few short pages, distils it to its most grisly, most atmospheric, and most ominous essence.

First of all, we’ve got the fish demon; last of the Mallykin race and without doubt one of Mr Jarvis’ most infamous supernatural beasties. The Mallykin, as it has come to be known, graces the cover of the Hodder Silver edition in gloriously squamous detail, and was also front and centre on this promotional poster. It would have been on the cover of the first edition too, but, rumour has it, Robin’s publishers at the time thought it too ghastly, even for him. It was duly shunted to the back in favour of Nelda, but it got its own back when Mr Jarvis made it into a model and brought it on tour to terrify his young readers.

In most of Mr Jarvis’ work there are two kinds of evil: that which is honest in its malevolence, and that which is not. Nathaniel Crozier is the second kind, and a very fine example he is too. ‘Down-at-heel history professor’ is not exactly a look which inspires mortal dread unless one is an under-performing student, but from the second that train pulls into the little Whitby station, we just know it’s all downhill from here.


Matt’s Thoughts: Apologies if I said this in an earlier post and can’t remember it, but I can’t actually remember what happens in this book. I have some vague memories of things from the last two Whitby books, but as to which book those come from, I just can’t remember.

This is a whole interesting side-tangent, but I’m wondering if the reason I can’t remember these books so well is simply the large chunk of life that intervened. To explain: I was a young teenager when the Deptford Mice was out and I pretty much read The Whitby Witches and The Alchymist’s Cat around the time they were written.

However, as I got into my later teens (and then went to university), I had less time for reading. (I was also notorious for getting lots of new books and never finishing them either, which didn’t help.) So I would buy every Jarvis book that I saw for sale, but often never got around to reading them.

So even though I owned the original edition, it wasn’t until a decade or so later that I actually got around to reading A Warlock in Whitby. And I think I read it in a rush one particular Easter holidays. So this does make me wonder, if I had read it when I was younger, would it have burned its way onto my brain more strongly? Is there something powerful about the books we love as a kid that resonate more strongly than the things we read as adults?

I don’t know, but I feel like there’s some truth in that, don’t you think?

Anyway, thus endeth the tangent. On to Whitby! I really like the low-key nature of the opening. An ugly thing crawls out of the ground in the prologue and a creepy bearded man arrives on a train. Because this is Jarvis, neither of these characters have made a huge splash in the town (and we’re still not sure how their subplots will intertwine) but the potential for them to be pretty freaking evil is right there.

Also, the scene where Crozier gives the enchanted stare to Emma Hitchin, the legal secretary, is somewhat of a new thing. It introduces (in a fairly careful way, given the possible age of the readers) a theme of lechery that also makes this book more icky. This then gets compounded when the scene with the Gregsons plays out.

There are echoes of Dracula in the requirement for an invitation, but Crozier is something else entirely. I don’t know about you, but when he looks out the window and spots Alice Boston, it makes me worried.


2 thoughts on “A Warlock in Whitby | Prologue & Chapter 1

  1. AAAAND we’re back (I’ve been wondering when y’all were returning…)

    I get serious Witches of Eastwick vibes from Nathaniel’s arrival in Whitby. I will always picture him as Jack Nicholson for this reason, haha. He’s one of the few fictional characters I genuinely despise, but that’s a good thing, because you’re SUPPOSED to! :^D

    Liked by 3 people

  2. The Mallykin is a bit of a funny monster as while it rakes such a high kill-count through the book, its still a short squat little thing – maybe its a young one? But its a nasty little critter, and the first chapter with it rising out of the ground and seeing the (moon)light for the first time has so many shades of 80s monster movies at the time – when I first reread this a few months ago, I had recently seen the infamous Xtro, and that films blaring synthesizer score could fit a lot of scenes in Warlock (and some shared themes too, we’ll get on that later) – this part of the score which goes over the Xtro ‘Sam’ rising out of the swamp could suit the Mallykin’s entrance perfectly imo https://www.youtube.com/watch?v=MlY1hYhc0V8

    As for the other monster of the story, Nathaniel – everyone’s telling about their fav choices but I got a more obscure choice in that I always felt that the infamous George Eastman, villainous star of many an Italian schlockfest, would suit him perfectly. Not only similar context to his usual roles but his looks too (though, I’m sure ‘Eastman’ would have to be dubbed a lot). If I can make another music link, then the score from Rosso Sangue/Absurd would suit his entry into Whitby perfectly imo (again, paralleling the source of how it plays when Eastman’s evil murderer is chased into the small town (and barges into a family’s living room with his guts spilling out) https://www.youtube.com/watch?v=ebUKYrpiE4o&t=5m40s

    One final note on Absurd: this VHS blurb for it is lying through its teeth, and sadly making it seem way more Whitby-ish (and more fun) than the actual film was: https://s-media-cache-ak0.pinimg.com/originals/d2/01/e1/d201e16b04a76a819dbc7f10e3d79e89.jpg


Leave a Reply

Please log in using one of these methods to post your comment:

WordPress.com Logo

You are commenting using your WordPress.com account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s