The Oaken Throne | Chapter 10

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Warning: Contains Spoilers!

‘Captain!’. the hedgehog declared. ‘See what trespassers we have captured!’

Aufwader’s Thoughts: Ah, Fenny! I daresay there may have been a bit of applause and maybe a few groans of trepidation from our long-time readers when that mousey captain came on the scene. There he is, folks, the one and only.

With Fenny’s introduction, we have another juxtaposition between the legends of the Mice trilogy, and the salt-and-porridge medieval reality. The Fennywolders of The Crystal Prison would have us believe that Fenlyn Purfote was a saintly, peace-loving figure, and despite the proof in that book that he did eventually hang up his sword, one gets the impression that the tales and songs have perhaps done their work rather too well over the years.

Regardless, he certainly cuts a dashing, and, dare I say, familiar figure for those of you who know your talking animal fantasy. Captain Fenny is Martin the Warrior with a little of the gold leaf flaking off, but I probably speak for a few of us when I say that Fenny seems a gratifyingly solid character next to the ephemeral guardian of Redwall Abbey. For myself, I’m obliged to detest the cultist-butchering captain on principle, but I find that I just can’t​. Despite the bad first impression of this chapter, he has the glory of ages shining out of his ears, and I can understand how woodlanders of all kinds might rally to the sound of his name.

Matt’s Thoughts: FENNY! I had forgotten that the Fennywolde namesake makes an appearance in this book, which just makes the story even more awesome. (And I’m also keen to get back to the Deptford Mouselets now.) I love the idea of a bunch of brave but diminutive anti-Hobbers, determined to make a desperate stand against the forces of evil.

But the bit that I found most impressive in this chapter, especially reading it now in my late 30s, is the bat conversation that Vesper overhears.

It reminded me of a movie and book that I loved as a teenager. The movie was Gettysburg, and it was based on a novel from the 70s called The Killer Angels by Michael Shaara. The book was a work of historical fiction that described the Battle of Gettysburg (the major battle in the American Civil War that took place in the 1860s). I didn’t know a lot about the Civil War at the time, and it’s obviously still a hugely contentious issue in America, but Shaara took a different approach than many other authors.

Rather than dig too deeply into the cause, he simply but effectively portrayed the different commanders, with scenes on both sides of the conflict, so that by the end of the book, you understood the characters and the dreadful toll that so much bloodshed was taking on them. While it could be argued that Shaara could have been more particular about the causes of the war, I found it opened my eyes to a fact about life: there aren’t always simple black and white causes when it comes to war. And for the rest of my life, it has been important to me to avoid quick narratives of right and wrong, and actually try to understand other people – particularly in conflicts.

So this scene with Vesper in the tree is a really important lesson, not just for Vesper, but for all of us. As he hears the bats sharing the same old narrative about ‘evil squirrels’ that he has grown up with – that he himself believed until recently – he realises that this simplistic version of events is driving dreadful bloodshed and evil. In understanding that the truth is more complex than he knew, it draws him away from violence. It’s another subtle strand to the story that I’m appreciating more this time around.

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4 thoughts on “The Oaken Throne | Chapter 10

  1. Ysabelle momentarily forgetting her cares and prancing through the sunny glade of daffodils is one of those scenes that is memorable to me simply for conjuring up such gorgeous visuals. After the grimness of the last chapters, it’s a refreshing bit of respite, and I love the description of the light reflecting onto Ysabelle’s black fur, making her appear like a golden statue sprung to life. The beauty of the entire scenario just takes your breath away. It’s yet another sequence that I wish could be brought to life in animation.

    I know he is right to be cautious when there are so many Hobbers in the woods, but boy does Fenny ever get on my nerves in this chapter (and the first part of the next)! I think my main issue is with how he used deception to entrap Ysabelle and her companions. I feel like screaming at him in frustration, much as they do, to make him see how wrong he is. I agree that he does seem to be Deptford’s (or more specifically, Fennywolde’s) equivalent of Martin the Warrior, being a legendary mouse hero that is still looked up to centuries after he sped to the Green. You also do tend to get Matthias vibes from Young Whortle in “Whortle’s Hope”, but of course that’s another story. 🙂

    Liked by 1 person

  2. Yeah, again the Redwall links are just shown clearly, We already have our ‘vermin’ and now we have our ‘woodlanders’ (really, they’re even CALLED ‘woodlanders’, shamelessly cheeky!) with their very own Martin the Warrior/Mathias cross. ‘Fenny’ aint exactly the most heroic sounding name out there, so maybe he’s conscious about this, what with his curt attitude.

    Unlike Redwall though, Oaken Throne delights in uncertainty and things not being as they seem, either for better or worse. For the better, it shows that despite their war, bats and squirrels and the other species are not uniformly ‘good’ or ‘evil’. For the worse, that means you cant trust anybody on your side either…

    Liked by 1 person

    • Ah, thats interesting actually! I always felt this book was kinda oddly in line with these books esp given the time they came out (when they were somewhat popular). so I assumed this was a parodic take on them (esp given people compare the other Deptford books to them, which *is* a stretch IMO as theyre nothing alike)

      Sorry if it came across as rude!

      Liked by 1 person

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