Thomas | Chapter 4

thomas

Warning: Contains Spoilers!

‘I’d be careful if I were you, Titch. I dun heard odd tales about that one.’

Aufwader’s Thoughts:  This chapter is full of intriguing new faces. The prophet Simoon is a fascinating figure who’ll no doubt be seen again before too long, and chirpy Dimlon provides some necessary, if vaguely irritating, levity. My favourite introduction, however, has to be the rat Jophet.

I’ve had many years to look at this story from many angles, and I still feel that Jophet is an underappreciated character in a lot of ways. The cryptic warnings he gives to Woodget are on par in their obscurity and vague malevolence with the prophecies of Orfeo and Eldritch which Arthur receives in The Dark Portal. Plus,  I’ve always loved Jophet’s line about how there’s ‘terrors out there to wither your tail and staunch the blood in your veins.’ What a positively chilling turn of phrase!

We all know, however, that the main set-piece of this chapter is finding out ‘what them blades can do’ as Morgan put it, and getting the first definite idea of just how threatened the lives of our heroes are. Richard Griffiths did an outstanding job with every single character voice on the audiobook, but I cannot quite express what he did with regards to Able Ruddaway’s murderer. Let’s just say, that particular voice turned my heard.

 

Matt’s Thoughts: Oddly enough, the thing that jumped out to me about this chapter was the lighting effects. We’ve commented many times on Mr Jarvis and his cinematic writing style, but if you read over the introductions of Jophet and Dimlon both, his description of the way they are lit is quite interesting. If you were to film both these characters arriving, you almost have the directions of how they are lit.

And I don’t think this is just coincidental either. Unlike our main characters like Thomas and Woodget, where Robin takes us inside their thoughts and feelings, we only observe Jophet, Dimlon and Simoon and are left to our own guesses about their true motivations and character.

So thus the fact that they all emerge, in one form or another, out of the shadows of the hold, into the light, feels symbolic of the fact that they are all, in one way or another, shadowy characters to us.

(I’m not going to ask Robin to confirm this one or it’ll end up like the time I asked him about the 14 chapter pattern, thinking it was going to have a deep symbolism and then it turned out to be 14 chapters for no particular reason … I’ll just live with my own theory!)

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