Warning: Contains Spoilers!
Yet the crest of the Tor was not deserted, for a single, tall figure was standing up there waiting for them.
Aufwader’s Thoughts: I’d like to nominate this chapter header as my favourite for this book. There’s something about Verdandi, her serene expression and graceful pose, that arrests me every time I see it, and I can’t help but feel that this is a portrait from life. Who is this classically-beautiful woman who stars in The Raven’s Knot as the fairest of the Fates? It’s a curious mystery. I like to imagine that Miss Veronica might be based on an elderly lady that Mr Jarvis knew, and, in creating Verdandi, he drew from photographs of her in her youth. (I can only hope, if this is in some way accurate, that severe Miss Ursula is not also based on an acquaintance!)
Matt’s Thoughts: Well, this is getting more tragic by the minute, isn’t it? Veronica/Verdandi makes it to Glastonbury, uses up the last of her magic to appear beautiful for Woden and then it isn’t even him.
The thing that’s starting to stand out to me about this series is the way the kids get dragged into these extreme situations, all of which are engineered by adults attempting to out-maneuver each other – setting up elaborate plots and counter-plots, tricks and deceptions.
We know Woden – and particularly his Valkyries – are horrendous. But we’ve seen from Book 1, that Ursula can be pretty manipulative as well.
What there doesn’t appear to be is anyone who actually has the welfare of the kids in their mind. So Neil and Edie just seem to be alternately abandoned or dragged into increasingly dangerous situations. We get a feeling that those two will draw the most strength when they finally pair up and help each other, but as to how long that’s likely to take, who can tell?