The Fatal Strand | Chapter 18


Warning: Contains Spoilers!


Aufwader’s Thoughts: I once jokingly referred to our esteemed author as ‘Robin ‘Kill ’em All’ Jarvis’, but I had forgotten that that ominous phrase had root in this trilogy. I daresay that nickname is well deserved – with the protection of Durath negated and even the museum itself turning against them, who of our small and motley band of heroes will survive the coming onslaught? I’m holding out for Neil, at least. That kid can survive anything.

Matt’s Thoughts: I loved this chapter, because it more or less sets up the rest of the book as being a classic haunted house story – from here on in, the evil things lurking around the corners are going to break free and attack. There is also the masterful bottom drop-out when we find out that Pickering has inadvertently (we assume?) gotten rid of the last thing that could hold back Woden’s evil forces. And we’ve got what, a quarter of the book left? This is going to be a long night, folks.

The Fatal Strand | Chapter 17


Warning: Contains Spoilers!

‘The prophecy tells us that the Paedagogus shall be the saving of us.’

Aufwader’s Thoughts: It’s rather heart-wrenching to see Edie have this sacred time in the past with the Websters as they once were, but that scene is also necessary to show how she, too, is connected to Nirinel, and to expand upon the mythology of the Nornir. Trust Robin to shatter that magical peace, however, and catapult Edie back to the museum prematurely. She had just met Skuld, her mother, and almost got to see the Loom of Doooooom. Bother and drat it all!

Matt’s Thoughts: I know they’re somewhat tired, but I always love the concept of ghost hunters and exorcists. They’re the characters that show up mid-way through a haunted house story and their function is that they help us, the audience, feel a bit braver. They’ve seen all the bad stuff before, and so when everyone else is freaking out, they know the words to say, or the incantations that are necessary.

Pickering is a bit of a comedic spin on this, because clearly his concept of what can happen in a haunted house is absolutely not up to the reality of what is going on in the Wyrd Museum, and yet he braves it out anyway! But cold coffee is a different thing. Are the ice giants back?

Phenomenal scene with the younger Norns and Edie, as they start to set us up for the finale. It’s interesting to see that the Gogus – who, if you have the original front cover looks very much like the monster of the piece – is quite possibly going to be the hero of the finale. As always with Mr Jarvis, first appearances can be deceiving.

Finally, I’ve got to say, that the time-shifting nature of this book is starting to do my head in a bit. Not that I can’t keep up with it, but there are so many different flashbacks to different eras, that it’s starting to unsettle the feeling of location. This is somewhat unusual for a Jarvis book which – despite anything else going on – will usually have a very strong sense of location and time period. But both those things are constantly shifting.


The Fatal Strand | Chapter 16


Warning: Contains Spoilers!

And in that rousing instant, his heart was determined.

Aufwader’s Thoughts: What a shame that Woden has ended up right down at Least Fun on the Jarvis Villain Scale. The pageantry of this chapter, the blazons and gleaming artistry of war, are ever so evocative and compelling. The relationship between Thought and Memory is really quite entertaining, and the deference with which Memory is treated really shows us Woden’s side of the battle for Quoth’s allegiance – in the days of Askar, Memory was a lord among ravens, second only to the Gallows God himself. No wonder Woden seeks to beguile him back into his service, and no wonder Thought was so outraged in The Raven’s Knot when Quoth defied him.

This trilogy is full of the juxtaposition of the glories of the past with the decrepitude of the present. Woden, like the Websters, was once magnificent; Thought and Memory were once revered. Now Thought is dust, and Memory a balding, beleaguered husk, silenced by the power of his once-doting master. Perhaps, however, the shabby banner that Quoth flies for ‘Squire Neil’ is really nobler than all the vivid pennants of Woden’s force.

Matt’s Thoughts: Robin, is there no end to the misery you will inflict on your characters? Quoth – easily the most lovable character from this book – and you take away his power of speech?

And we’ve got TEN MORE CHAPTERS for you to do more bad stuff to your characters? Who or what is going to be left standing at the end of this trilogy?


Up Next | Thorn Ogres of Hagwood



Greetings intrepid Rereaders, Aufwader here! Having stumbled through the Woven Path, tied the Raven’s Knot and trimmed every Fatal Strand, we now embark upon a brand new quest, through the gnarlsome briars of Hagwood.

This little model of Gamaliel is now under glass – one for the Separate Collection!

This is one to be excited about for a number of reasons. From the reader’s point of view, we’ve got a host of new and lovable heroes, some fantastically flamboyant and inventive villains, and a mythology that is a worthy successor to the likes of Alan Garner and Susan Cooper.

Behind the scenes, the Hagwood trilogy also has one of the most interesting publication histories in all Robin Jarvis canon, with rare collectable editions in circulation and a gap of fourteen years between the release of Books 1 and 2. It is also the most autobiographical of Mr Jarvis’s works to date – if you have the Open Road edition, there’s a little piece at the end that contains some interesting titbits about Robin’s career, including the aside that Gamaliel Tumpin, this trilogy’s bumbling hero, is directly based on Robin himself.

This would probably also be a good place to mention Open Road’s ‘Meet the Author’ video, in which Robin discusses the Hagwood trilogy and his general writing MO (and we get way too many amazing close-ups of unreleased illustrations.)

As well as the original Puffin edition and the Open Road ebook release, there’s also this lovely hardback by Silver Whistle Books. Go snag yourselves a copy (sorry) and join Matt and I on our wergly way.


The Fatal Strand | Chapter 15


Warning: Contains Spoilers!

‘Pretty soon that blade will kill again.’

Aufwader’s Thoughts: There’s a wonderful air of creeping menace to this chapter. From Mr Pickering’s grim possession to the crooked writing returning to Neil’s wall, there’s a real feeling of the museum closing in around our young hero. He might have changed his mind about leaving, but I don’t think he’s going to get the chance to so much as pack his things.

Matt’s Thoughts: Ursula going senile as well? Could the stakes get any higher in this? She’s been the one person in all of the trilogy who has known exactly what is going on and how to deal with it all along – even if her methods are somewhat heavy-handed. But if she’s going off her rocker, it could all come down to our young heroes to sort everything out. Keen to see how this works out.


The Fatal Strand | Chapter 14


Warning: Contains Spoilers!

With a shake of its splendid antlers, the beautiful creature began to walk majestically down the corridor, with Edie riding high upon its back and Gogus trotting cheerfully behind.

Aufwader’s Thoughts: This is one of Tick-Tock Jack’s most nightmare-inducting iterations, for sure. The greasepaint, the outfit, and then (oh no!) the Spear of Longinus, as if we hadn’t seen enough of that last book. Mister Dark was never, at least in my opinion, so deeply grotesque, but I think Dark would approve of Timms’s trick with the taxidermy. (Plus, have you guys heard howler monkeys? Imagine a mouldering version of this chasing you down that darkened passage. Yikes, yikes, and thrice yikes!)

Matt’s Thoughts:  I must admit, I quite appreciated the detail that the exhibits are simultaneously falling apart while also coming alive. In other words, they don’t turn into real monkeys and tigers, they turn into animated mouldy taxidermied figures.

And the combination of the stag, Gogus and Edie – really good. Edie has been such a strange little character so far, that to get a glimpse of her potential power is quite jaw-dropping. We can finally see the next generation of the Nornir in her.


The Fatal Strand | Chapter 13


Warning: Contains Spoilers!

‘I wanted you to see that my home is not wholly filled with ugly memories.’

Aufwader’s Thoughts: Who else reckons that something will prevent the Chapmans from leaving the museum? Brian can fume all he likes, but the Nornir’s domain is now essentially a fortress, and Ursula still has a use for Neil. To paraphrase Quoth, depart that grooly abode they shall not. At least, not any time soon.

The rest of this chapter is the narrative equivalent of passing a difficult school test as a kid and then being given sweets as a reward. Well done, readers all, we’ve made it through the grisly description of Mary-Anne’s incarceration and demise, time for some Tudor revels to lift the mood.

And what delightful revels they are. Exquisitely detailed, with even amusing Tudor colour names making an appearance, Celandine’s last ball almost makes up for the ghastly shocks of Mr Pickering’s previous findings. It’s also interesting to see a bit of development regarding what Ursula was like before her sisters deteriorated with Nirinel. We really get a sense of all that the Websters have lost over the ages, and the blazing splendour of the past makes their present seem all the more shabby and ignoble.

This chapter is perfectly balanced. If I had to choose a chapter to represent this trilogy, it would be this. Ghost-hunting, family feuds, time travel, heartwarming and horrifying moments – it has everything. At the end of it I feel almost as overwhelmed as Mr Pickering. What will the Wyrd Museum throw at us next?

Matt’s Thoughts: Another Jarvis black/white chapter, where horror and beauty dwell side by side. The horror: discovering the fate of Mary-Anne Brindle, one which we almost would rather not have known. But then the beauty: the final ball of the sisters Webster before they became reclusive.

I’m glad, amidst all the darkness, that there was a pause for a scene like this. It gives us a rare moment of kindness by Ursula, where she allows Celandine a chance to relive her happier days. It’s finally convinced me that she is driven, not by a desire for power, but just a dedication to duty regardless of the great personal cost to her. That, I can understand.



The Fatal Strand | Chapter 12


Warning: Contains Spoilers!

‘Like the music hall, this is.’

Aufwader’s Thoughts: What a thoroughly wretched chapter. The stark realities of the Victorian workhouse are illustrated heartbreakingly in young Ned Billet and his mother, and I think we all gave a cheer when Edie intervened on Ned’s behalf instead of standing coldly by. It was also quite heartening to see Jack Timms genuinely afraid, proving that he really is nothing more then a hired thug, punching above his weight in this ill-fated alliance with Woden.

Rereading this chapter though, I was strongly reminded of another Robin Jarvis villain. Cut from the same cloth as Timms but with far more on his mind than random violence, Mister Dark borrowed power from the Lord’s of the Deep and flitted through time, wearing a variety of faces and tormenting small children. In Chapter 10 I commented that Dark was created in the mould of Nathaniel Crozier, but really, he’s Jack Timms 2.0. Not a proud linage, that’s for sure.

Matt’s Thoughts: For me, the disturbing thing about this chapter is that – never mind Jack Timms – the poverty and wretchedness of this scene are fairly well established as a historical reality. In English history. It’s not another race of beings, with their own ideas of cruelty. Our ancestors were the ones who let this sort of stuff go on.

But then again, as we distract ourselves with our Netflix and flashy mobile phones, who knows what’s happening in the back alleys of our own cities?

I actually appreciate Robin Jarvis’ increasing move towards reminding his readers that fictional supernatural horrors are pretty nasty, but humans don’t have a great reputation either.

In fact, I think Aufwader said it best on Twitter recently when she realised that the message of all Jarvis books is essentially: we can never completely overcome evil in this world, but we have to try.

The Fatal Strand | Chapter 11


Warning: Contains Spoilers!

‘What happened to the Loom?’

Aufwader’s Thoughts: Usually it’s something of a gleeful moment for the reader when the oblivious parent character is finally bombarded with irrevocable proof that the supernatural exists.

Here, however, there are no eye-rubbing clichés or young heroes yelling ‘that’s what I’ve been trying to tell you’ in the background. Gogus attacks Mr Chapman, he fends it off, Josh wails, Edie tries to contain the whole mess, and that’s it. No moments of charmed wonder, no instant camaraderie between Brian and Edie as he finally sees things from her point of view. It’s almost too sudden to take in.

I have to say I’m surprised at Brian’s quick reactions in this chapter, especially considering that Gogus is very clearly and irrefutably a magical critter. If we were to go by his character in The Woven Path and The Raven’s Knot, I would have expected him to cry for help and perhaps prod his attacker weakly while muttering ‘this can’t be happening’ over and over. I would never have expected him to think to use his toolkit, or to physically throw Gogus across the room.

All this violence is quite unlike the meek and somewhat pathetic Brian of the first two books, and that, combined with his increasingly aggressive treatment of Neil, further hints that maybe there is something else afoot here. After all, why did Gogus immediately leap at Brian in the first place? What so angered this ancient protector of the Wyrd Museum about an unassuming caretaker?

Matt’s Thoughts: A number of intriguing plot strands here – first up, I’m getting worried that Quoth will turn. I really hope not, because that would be tragic – but if you’re not hoping for tragedy, you shouldn’t be reading Jarvis!

Also, I’m curious about this idea of the Loom and where it went. I have some ideas, but I shall reserve them for later.

Because it looks like we’re back onto a timeshift anyway …

The Fatal Strand | Chapter 10


Warning: Contains Spoilers!

‘She has chosen both the board upon which the battle will be fought, and the pieces also.’ 

Aufwader’s Thoughts: Rereaders one and all, I would like to present to you today the Jarvis Villain Scale. We have here a means of categorising each major baddie across the canon, from Most Fun to Least. Allow me to illustrate my findings.

While such things are generally too subjective for close analysis, I’m sure we can all agree that the likes of Jupiter, the Raith Sidhe, and Rhiannon Rigantona sit, more or less, in realm of Most Fun. They wield larger-than-life power and have the grandiose dialogue to match. Their goals include such villainous staples as world domination, immortality, and the pursuit of petty grievances to an overblown degree. We boo them, but we enjoy booing them, and would not be too alarmed if they felt like hypnotising us into their nefarious cause. They are a good time, and the dastardly exploits of their followers are equally entertaining to read about.

Somewhere in the middle, in that nebulous space reserved for the truly ambiguous, are the Lords of the Deep. They exact terrible punishments upon their undeserving subjects, but they’re also benevolent when it suits them, and let’s face it, in some scenes they cannot help but steal the show. Of all Robiny deities and divine pretenders, I would hazard that they are the most stereotypically ‘god-like’ – neither truly good nor evil, capable of undoing the fabric of creation, and impossible to comprehend with mortal eyes.

Sharing this middle ground are the likes of Morgawrus, and those other questionable but unexplored beings of the canon, such as Zenna’s deep-sea companions, and, so far, Gogus and the Stag.

Moving toward Least Fun, we have such delights as the Dawn Prince, and with him, the Ismus and his servants. Then there’s Nathaniel Crozier, and in his imprint, Mister Dark. There’s also the Count de Feria, about whom I’ll say no more here. All hurters of small children and animals, all vindictive and sadistic in the extreme, all guilty of something, or multiple somethings, that puts them beyond the pail.

Sadly, it looks like Woden is going to end up in with this lot. First the bloody-haired Valkyrja, then poor Reverend Galloway, and now the odious Jack Timms, who makes the likes of Crozier look positively genteel. I had such high hopes for you, proud Gallows God, former lover of Verdandi! Ah well, there’s no accounting for bad taste in lackeys and thralls. Here’s hoping the Nornir can set up their defences in time

Matt’s Thoughts: I’m still yet to work out how Gogus fits into all this, not sure if the Stag was just for the spectacle and will become important, and I can’t see Jack Timms causing anything but grief.

But I’m intrigued by the idea – reflected in the name of this chapter, ‘White and Black Pieces’ – that the Museum is really a vast chess board with various people being used. Which is sort of a great way of explaining the role of Neil – he has been a pawn of Ursula’s plans, and now we see Timms as Woden’s dark pawn. Showdown coming?