Warning: Contains Spoilers!
“What’s happened?” Finnen asked. “You’re a bit of everything. It’s incredible! Nobody can do that!”
Aufwader’s Thoughts: I’m not sure if any of you can see this, but I labelled the scan of this book’s cover ‘Glamaliel’, just so I could get to this chapter and gleefully explain why. No, it’s not a typo, it’s a reference to the limited edition Thorn Ogres paperbacks which each had a lenticular panel of Gammy wergling into his mishmash shape.
The scan doesn’t show it, but if you turn the book to one side, the little portrait above the title wergles away quite charmingly. I’ve always rather enjoyed that piece of particularly 90s product design, and I sometimes wonder how many of these special copies are still in circulation. I’d like to know the story behind them, too, if Mr Jarvis would care to weigh in. Were the lenticular panel editions in commemoration of anything special? What was the cover design experience like with Puffin? Did you end up with the cover you wanted, or was Snaggart a compromise in place of some uglier beastie?
Matt’s Thoughts: Being, at the time, the shortest Jarvis book he’d ever written, the finale of this one comes pretty fast, but it’s great fun, with beat after beat that we expect from the master. The exiled Finnen is stuck up a tree, Gamaliel has wergled into some sort of mad concoction of creatures (a brilliant touch that I didn’t see coming the first time I read it!). And all the werlings are in danger. It reminds me very much of the siege of the mice by the rats in The Final Reckoning and it’s breathless stuff.