Freax and Rejex | Chapter 22

sodding punchinellos i hate em

Warning: Contains Spoilers!

The dark cabin was alive with violence and anger.

Aufwader’s Thoughts: I kept having this vague sense of unease every time Jody was mentioned, and having reread this chapter, I think I understand why. Every other teen has a full character arc; they have trials and tribulations that fit them and make them who they are at this point in the book. Jody, however, has spent most of her page -time being tortured, and hasn’t been given a chance to grow and change, except in response to her trauma.

What do we know about her, other than that she had a happy, hippie-ish upbringing, that she distances herself from others, and that she has a naturally morose outlook? Precious little. This and the fact of her being named ‘Jody’ in a frankly horrific nod to Judy, the beaten and berated wife of Mister Punch, is really a bit telling. I don’t want to believe that Jody is a kind of example character, created to suffer so that we can see just how bad life in the camp could get, but unless she’s a long-dead husk holding the spores of Austerly Fellows, that’s unfortunately the conclusion I’m reaching for the moment.

Matt’s Thoughts: I am wondering, at this point in the story, whether the editors were tempted to question how much is too much in terms of suffering teenagers.

I mean, it’s all perfectly paced and doesn’t hold up the flow of the story, but if Freax and Rejex were a book for adults and all the things described were happening, it would be a pretty full-on sort of novel. To have it happen in a story for teenagers is extraordinarily brave of Harper Collins.

Also, I had forgotten this part with the assault on Maggie and then Jody on the skelter tower and so reading it, the fresh sense of horror at how bad things are really hit me.

Freax and Rejex | Chapter 21

sodding punchinellos i hate em

Warning: Contains Spoilers!

Three fat, boneless tentacles of pallid, pink, worm-like muscle punched up from the bottom of the pit.

Aufwader’s Thoughts: This chapter legitimately made me shed tears. Between Charm’s kindness, Spencer’s despair, and Marcus’s change of heart followed by his sudden death, we’ve got a veritable rollercoaster of emotions.

I think you should all be able to see now how Charm is my favourite of the teens. Her arc is not so much character growth as character reveal; she has always been this lovely, but has been forced to build walls around herself. Now the life-or-death reality of the camp has swept all her false pride and internalised self-reproach away, showing the compassionate and gentle-hearted person beneath.

What really touches me is how she goes out of her way to be kind to the girls in her cabin in this chapter, naming them sweet things and doing their nails as if it were all just a big girly sleepover rather than an interminable imprisonment from which they might never escape alive. It’s very powerful that she is allowed to retain the femininity she takes so much pride in, while also having more backbone than any of the others in the main cast. Charm is a sparkling pink star of strength and kindness in the fetid black swamp of a world ruled by Dancing Jax, and I’m proud of her.

Matt’s Thoughts: No need to go into endless detail, but here we go again. We get a personal breakthrough for our characters – in this case, the beautiful solidarity that Charm shows with Maggie by drawing a moustache on her face – that leads to a bit of healing.

Only to be wiped out by some giant tentacled thing that takes out Marcus. Who expected him to be the next one?? I certainly didn’t the first time I read it. And even then, it caught me by surprise this time around how quick and sudden the Marshwyrm’s appearance actually is.

Freax and Rejex | Chapter 20

sodding punchinellos i hate em

Warning: Contains Spoilers!

Make us suffer, make us howl in anguish, make us wish we were dead.

Aufwader’s Thoughts: I’ve seen people complain that the middle section of this book drags, and that’s true, but there’s a reason for it. We feel like we’ve been in the New Forest for years on end because that’s what our young protagonists are feeling at this very moment.

It’s only been two weeks at most, and yet the trauma of the situation is such that it’s now difficult for them to imagine a life with more than old peelings to eat and no murderous supernatural guards at their backs. This is their new normal, as Jody said, though with Mooncaster being built in Kent like some sort of warped theme park, is there such a thing as normal in the world of Dancing Jax?

Matt’s Thoughts: A short chapter, but it’s another one of those tragic Jarvis things – Jody survives but she never realises how brave Maggie was. And in fact becomes antagonistic.

In other words, it’s not just the Mooncaster threat that is escalating but growing internal divisions as well.

However, while the story has been mainly based in this camp, it’s important to remember that a life-size castle of Mooncaster is being built and an awful lot of creatures have been Bakelited into our world. So even if these kids do escape, what’s going to be out there?

Freax and Rejex | Felixstowe, 1936

sodding punchinellos i hate em

Warning: Contains Spoilers!

‘The Dancing Jacks will pave the way for His return among us.’

Aufwader’s Thoughts: This chapter was quite a shock – pun very much intended – to me when I first read it, because it’s so different and yet so like the rest of Robin Jarvis canon up until this point. It’s got all the things he does well and is known for; devilry, period elegance, a grimy villain, terrified minions falling on their faces as their Lord approaches. Even a Rowena Cooper 2.0 in the character of Irene.

However, this is that, but with all the filters turned off. If there’s jokes about how the aristocracy are all cultists, there’s jokes about how the aristocracy are all cultists. If we’re mentioning skinny dipping and hard drugs in the same sentence, we’re mentioning skinny dipping and hard drugs in the same sentence. If Austerly wants to lick his mistress’s eyeball then by Satan he is going to lick his mistress’s eyeball, and no editor nor age rating on Earth is going to stop him.

I’m calling it now, if Robin wrote for adults it’d just be this chapter for four hundred pages – a no-holds-barred sleaze parade of 30s glamour, duplicitous journalists, weirdoes in animal masks, and human sacrifice. Absolutely atrocious. I love it.

Matt’s Thoughts: This chapter is extraordinary – not least in that you could almost drop it anywhere in the trilogy. It could have been an extended prologue at the beginning of Dancing Jax and it would have set the scene perfectly. However, there’s something about circling back to the origins of the evil book when we are at the height of the persecution of our aberrant heroes that just gives it an extra weight and intensity.

In other words, if we’d started with it, it would have been like many other occult bad guy scenes – the kind that used to occur at the end of James Herbert novels. There would be some sort of plot that threatens to take over the world but we wouldn’t have worried too much because plots like this usually get foiled at the last minute before they do much damage.

But located here in the midst of Freax and Rejex it’s pretty creepy. While it does provide a welcome relief from the POW camp, it also reminds us of just how long all this has been plotted and how dire everything actually is. Mooncaster is sinister, but the Dawn Prince is far, far worse.

It also introduces the idea that the Al Bowlly music might not have been Austerly Fellows’ idea so much as Augusta’s. Which leads to an interesting speculation about which musicians would the Fellows’ have picked to lock into their Bakelite devices had they done this in the 60s or 70s or 80s. What do you think they might have picked?

Freax and Rejex | Chapter 18

sodding punchinellos i hate em

Warning: Contains Spoilers!

‘Jesus!’ he cried. ‘They’ve got guns!’

Aufwader’s Thoughts: An incredibly tense chapter, and a horrible contrast to the farce of Chapter 15. There is certainly a wild chase over the lawn involving a Doggy Long-Legs, but the context could not be more different, or more dire.

When he was first introduced, I said that I hoped Marcus would have his own character arc and begin to show some endearing qualities, and now he demonstrates both brains and courage to help a fellow prisoner in need. Sadly, that may not be enough to bring an end to the Punchinellos’ reign of tyranny, and with firearms involved, there can only be worse in store.

Matt’s Thoughts: This little escapade of Marcus’, while only to deliver water, is the first thing to (mostly) go right for the kids since they’ve arrived. (And I did find it rather amusing that the Doggy-Long-Legs got nicknamed Gnasher.) So it offers us a glimpse of hope.

But it simultaneously ratchets up the stakes further now that the Punchinellos have their guns. I can’t see anything else going that well after this.

Also, I feel so sad for Spencer – he’s one of my favourites and to see him entertaining suicidal thoughts is tragic.

Finally, a couple more items from the Bakelite playlist: Ukulele Lady (which I forgot to link to last chapter) and Three O’Clock in the Morning.

Freax and Rejex | Chapter 17

sodding punchinellos i hate em

Warning: Contains Spoilers!

‘For the final time I will say this: you are the lowest form of unwelcome parasite to crawl upon the surface of this dream world.’

Aufwader’s Thoughts: Another chapter, another soul destroying say in the New Forest. And it really is soul destroying. These children may not have had their identities sucked out of them by Dancing Jax, but their morale and will to live is being destroyed in other ways. Jangler and the Punchinellos are definitely thorough, not just in their punishments, but in depriving the aberrants of the things that have kept them going since Austerly Fellows took over and the world went to rack and ruin.

Alisdair having his guitar and then his hand broken is a truly awful moment, but what’s just as bad, in a different way, is Spencer having his Westerns literally and figuratively taken off him.

Alisdair has enough fibre and backbone left to have a chance at recovery if he ever gets out of this ordeal alive, but Spencer was clearly hanging on by a thread, and now that thread has been cut. To my mind what Garrugaska the Punchinello does is a kind of mental torture; making it so that Spencer has nowhere to escape to even in his imagination. It might get not be as visible as Jody’s wounds or Alistair’s hand, but it’s torture all the same, and Spencer is just a kid. They’re all just kids.

Matt’s Thoughts: I think one of the elements that makes this book so potent is the real-world nature of its brutality. If they were just up against monsters, that wouldn’t be so bad. But this chapter’s guitar-smashing, hand-breaking, solitary confinement and other assorted horrors tend to cross the fantasy barrier for me. There’s not a lot left in this book that is fun.

Also, I can’t clearly remember who the Fellows splinter is – though I have growing suspicions. So there’s a certain anxiety for me every time they start talking about their plans in front of each other.

The bright spark in all of this is that Mr Jarvis inserts wonderful character interactions that we wouldn’t get otherwise if it wasn’t for this series of events. So the conversation between Charm and Maggie is beautiful to see. Personally, I think the characters in Freax and Rejex are some of the best Robin has ever written and their arc of growing and trusting each other is one of the highlights of the book.

 

Freax and Rejex | Chapter 16

sodding punchinellos i hate em

Warning: Contains Spoilers!

A Victorian romantic painter like Millais could have conveyed the intangible bloom in her cheek, the lustre of her curls and the hint of a smile that pulled and played at the corners of her lips.

Aufwader’s Thoughts: This chapter is classic Jarvis sadism. We already know Mooncaster is a weird and terrible place, this point does not need further elaboration, and yet what’s to bet Robin just really wanted to write about a tiny adorable fairy princess getting chewed to death by a carnivorous toad monster.

It’s not so much the event itself that’s pivotal to the story, but the way Lee reacts to it. He’s only shown genuine terror once before; when he caught a glimpse of Austerly’s spores in the New Forest, so it’s clear that not being able to save Telein from her awful fate is highly traumatic for him in quite a personal way.

This reveals something very interesting about Lee’s character. He goes on and on about not getting involved with Marcus’s escape plans and keeping to himself around the other aberrants, but secretly I think he in some way feels responsible for them, and maybe feels pressure to be the one to save them, especially now that he’s discovered his Castle Creeper power. With the way this series is going, however, that will be easier said than done.

Matt’s Thoughts: Now this was just savage. The character of Telein was introduced so beautifully, there were a couple of pages there where you could almost see her being a sort of ‘friend on the inside’ for Lee when he is in Mooncaster. Maybe becoming another regular character and perhaps dying heroically in the finale of Book 3.

Instead, she is eaten by a giant toad by the end of the chapter. Just like that. The brutality in this book is escalating in all the worlds.

Finally, another couple of musical interludes again. Al Bowlly returns with Roll Up The Carpet with those hideous Bakelite devices. But the really nice touch is Fields of Gold which does indeed become a tear-jerker in the context of this story.